From a South Carolina Sidewalk to a Paris Museum

Rero. Untitled (PAGE NOT FOUND...). Installation. 2011. Collection of Art Visory, courtesy of Backslash Gallery.

I am absolutely intrigued by Paris’s street art: those sometimes ephemeral, sometimes witty, sometimes political, but always free exhibitions that are found on almost every city block in this Mecca of artists. In fact, this is my third post on je parle américain about street art in as many months because I’m constantly stumbling across new pieces. A few weeks ago, though, I started to ask myself whether this love affair with street art has deeper roots than just my experiences here in Paris.

I lived in Washington for many years before moving here, and there are a few murals in DC that I used to see on a regular basis. The most famous of these is certainly the “Warholesque” portrait of Marilyn Monroe surveilling Connecticut Avenue in Woodley Park. It was commissioned more than three decades ago as a fortieth birthday present for the owner of the building whose wall it graces. Nice gift, huh?

marylin
© 2007 “Mr. T in DC” used under license (CC BY-NC-ND 2.0)

In my old neighborhood of Adams-Morgan, just to the east of Marilyn, there are two other well-known murals that are more explicitly “billboards” for two local businesses: Madam’s Organ Blues Bar & Soul Food Restaurant and the now-closed Café Lautrec on 18th Street. I don’t think I can count the number of times I walked past those two during my years of living in the neighborhood.

When I really delved into my past, though, it didn’t take long for me to realize that some of my earliest experiences with art of this type were two murals in my home state of South Carolina, both painted by native son Blue Sky. I still have a vivid recollection of going on a field trip to see his mural “Winter Beach” during a creative writing summer workshop for middle school kids. There’s nothing like sitting on a sidewalk, eating donuts, and gazing up at 20-foot tall, 80-foot wide beach scene to get inspired to write poetry! Blue Sky’s most famous and dramatic work, though, is the 50-foot tall, 75-foot wide trompe-l’œil mural entitled “Tunnel Vision,” depicting what the artist himself called a “window into transcendental reality.” I recall finding it both engaging and frightening as a small child.

Blue Sky, "Tunnel Vision" (1975), used under fair use doctrine
Blue Sky, “Tunnel Vision,” Columbia, South Carolina (1975), photo used under fair use doctrine

Now, I’m not sure if these examples really fit into the definition of “street art,” but I think I’ve at least found the root of my love for this stuff.

In any case, knowing that I was really into street art, a friend here in Paris recently suggested an art exhibition at the Paris Post Office Museum (L’Adresse Musée de la Poste) entitled “Beyond Street Art” (“Au-delà du Street Art“). As a museum exhibition, “Beyond Street Art” doesn’t feature actual works of “street art” of course — I mean, you can’t easily bring that stuff inside — but it does include pieces that demonstrate not only the distinctive techniques of the featured artists, but also the evolution of the genre and the homage paid by current artists to earlier pioneers. Instead of weighing down your visual experience with a regurgitation of the exhibition guide, I’ll just show you what I saw … and encourage you to hurry down there to see it yourself if you like street art as much as I do. And when I say “hurry,” I do mean it; the exhibition closes next Saturday, March 30!

In the gallery below, you’ll see photos of various works by the following street artists, some of whom you surely already know — if not by name, at least by their work: Blek le rat (considered by many street artists to be one of the fathers of the genre), Jef Aérosol, Jérôme MesnagerMiss.TicC215, Invader (the mosaic artist inspired by the Space Invaders video game), VhilsSwoonShepard Fairey (also known as “Obey” and most widely known for his Obama “HOPE” posters), Banksy (recently in the news for a scandal regarding one of his works that vanished from London and ended up in a US auction house), Dran, Ludo, L’Atlas, and Rero.

To open the gallery, simply click on one of the photos below (or on a white space if nothing appears). You will then be able then scroll through all of the photos in a larger format.

Enjoy the exhibition, and click here for my other posts about street art in Paris.

© 2013 Samuel Michael Bell, all rights reserved

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