Disclaimer: I’m not a linguist (yet) so, if you are one, please be gentle in your reactions if I’ve gotten something completely wrong …
As English speakers, one of the first things we notice about French is the widespread use of diacritical marks — or “accents” to be less linguistic about it. For students of the language (native speakers and non-native speakers alike) they can sometimes be the bane our existence. Accents obviously aren’t necessary — we don’t really use them in English, after all* — but they serve important functions in the languages that do use them. Sometimes, they denote a change in the pronunciation of the underlying letter. In French, for example, ça and ca don’t sound the same. Sometimes, though, accents don’t change the pronunciation at all; instead, they serve an orthographic (spelling) function to distinguish homophones. For example, la and là sound exactly the same in French but have entirely different meanings. Even though modern French is full of accents (the accent aigu, the accent grave, the tréma, etc.), they were introduced relatively late to the language. In fact, you’d be hard pressed to find many diacritical marks in a text from the Middle Ages. So what explains their introduction? Well, a comprehensive account of the evolution of French accents is thankfully far too complex to go into here, but I do want to talk about one in particular that has an interesting story and implications for English-speaking students of French:
le petit chapeau … the little hat … the circumflex Continue reading Le petit chapeau
je parle américain 